| The Threes |
| Major arcana:
Lovers, Balance Position on wheel: Beltane. Chakra:
throat. |
| Three of Wands:
Fulfilment |
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A figure has stepped through the
gateway of the two of Wands, arms open to receive the
blessing of fulfilment. They stand in the healing
radiance of the afterglow created after a loving polaric
interchange. This is represented by the caduceus of
intertwined serpents on their cloak (see Adder).
This energised peace does not require another person, it
can be achieved after an act of Creativity or Joy. |
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| Three of Arrows:
Jealousy |
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Three arrows pierce a tender,
bleeding heart. A triangular interaction that causes pain
to all. A heart that is pinioned by the weight of
others wishes. |
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| Three of Cups: Joy |
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Cranes were considered very sacred
(their plumage being red, white and grey/black). Their
return from migration heralded the beginning of warmer
weather; they leap in the air, seemingly to dance. The
crane dance, performed once by people in many
European countries was a celebration of joy, creation and
life energy. Happy and creative friendships, community,
warmth, fun; a bonding on many levels. |
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| Three of Stones:
Creativity |
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The card depicts a trilithon (a
three stone) gateway, similar to those at Stonehenge. Two
stone pillars representing the primal gateway of dual
energies, with a solar horse and lunar oxen, bridged by a
third, creating an environment in which an artist stands
inspired but grounded, a mediator, alive and radiant. |
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| Greenwoman
(traditional card The Empress) |
| Minor arcana: Fours
Position on wheel: Midsummer Solstice. Element: Air |
| Chakra: heart.
Colour; white |
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The Greenwoman is she who blesses
those that come through the gateway of life, with love,
healing and protection. She is the spiritual and actual
warmth of the midsummer sun, and gives the breath of life
to nature, and the newly born. |
| Wild roses, symbol of
an open heart, flow from her. Round her neck is a gold
torc, a symbol of her sovereignty as Empress. Her golden
cup is of amber, a translucent resin often called the
teardrops of the sun. The Greenwoman is also a tree in
full leaf supporting many other species in its branches.
She is abundance made manifest. The winged dragon, or
wyvern is green, as the energies are rich and fertile.
There are very few carved representations of foliate
green women. I only know of four in the UK of which three
are in Oxford. This is because of the msygogny of the
Middle Ages, when the Greenman had usurped the creative
power of the woman and the Goddess. Whilst these green
male faces breath forth the greenery of the divine logos,
or fertile power of male wisdom, the Oxford green women
hide behind rather than issue forth the creative life
force. So my Greenwoman breaks with tradition. |
| The Sheila-na-gig is
the gateway of life. The flame on her third eye burns
with divine intelligence and inner wisdom. She is also
the oracle , voicing the heart of the land. She is the
empowered heart, at one with herself, independent,
creative, loving, stable, abundant, nurturing herself and
others. |
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| The Greenman
(traditional card The Emperor) |
| Minor arcana: Fours
Position on wheel: Midsummer Solstice. Element: Air. |
| Chakra: heart.
Colour: white/gold. |
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The Greenman or carved
foliate face disgorges vegetation.This is the force
behind the ancient gods of nature and vegetation deities,
enriching and revivifying the land. The Greenman
like the Greenwoman balances position with love,
and radiates this outwards for the benefit of others.
They are the guardians of others, mediators between the
spiritual, the natural and the human, hence the original
titles, The Emperor and The Empress.
Ideally their stable abundance is shared with their
community for the good of the land, with an empowered
heart. A sharing without arrogance. A kind and forceful
personality. A good and responsible father. A speaker of
truth on behalf of the land. |
| Sometimes the Greenman
and Greenwoman live in their heads
alienated from the realities of life outside their own
world, not wanting to face the shaky foundations of their
lives; when these cracks can be suppressed no longer, the
fall comes in The Blasted Oak. |